GREAT EXPECTATIONS
GREAT EXPECTATIONS
Perhaps the finest screen adaptation of Charles Dickens, it won Oscars for black and white Cinematography and Art Direction. The coming of age story of young Pip is dark and atmospheric; a bleak recreation of Victorian times with terrific performances by some of Britain’s finest acting talent.
David Lean’s two post-war adaptations of the work of Charles Dickens have rightfully taken their place in the canon of Britain’s finest national cinema. Great Expectations, along with Oliver Twist (1948), cemented Lean’s reputation as one of our most talented directors. Based on Dickens’ three-volume 1861 novel, the film necessarily focuses on the key events, which are depicted as striking set-pieces. The screenplay, based on a stage version of the novel, was nominated for an Academy Award, and the film received two other nominations, for Best Director and Best Picture.
The atmospheric black and white cinematography of Guy Green secured him an Oscar win and perfectly captures the haunting adventures of Pip as he grows from childhood into manhood, played first by Anthony Wager, then John Mills. Another Academy Award went to John Bryan for his Art Direction, cementing the reputation of the film’s mood and visuals. The striking combination of décor, lighting and camera work make almost every frame into a work of art.
Mills heads a star-filled cast, which includes Alec Guinness, Jean Simmons and Valerie Hobson, supported by theatrical talent galore which propels the narrative with performances of energy and emotion. Even the smaller roles are played for maximum impact, adding authenticity to the recreation of Victorian England, and the human touch to the panoply of characters.
Text: Josephine Botting
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